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No Sound, 2014

 

An installation of cast porcelain and flux 

No Sound

In this work, through the addition of varying degrees of flux and heat to a porcelain clay body, I attempt to conjure tipping points, capturing the moment of overflow within the firing process.

Ceramic processes are highly transformative. Within the confines of a kiln, solids can become liquid, clay can become glaze, enabling the resulting artefacts the potential of displaying a mid-state condition. Transformative performances concealed within a kiln, producing outcomes, which upon cooling have the potential to behave as still frames within processes of change.